Kristijan Danilovski
CGI , Producer

Macedonia

Biography

Kristijan Danilovski has been at the forefront of visual effects and cg animation in south East Europe since the early 1990s 
mainly in TV commercials and TV programs, first as a cg animation artist, later moving to supervision and production roles. 

He co-founded fx3x in 1997 as a first class vfx and cg animation company in the region, and was a leading force in growing the company from 2 to 120+ people. 

Following a string of successes in Europe, Kristijan Danilovski was the leading figure in bringing part of the visual effects for "The Aviator" (2004) to Macedonia, a region's first. This was followed by several other feature films and TV shows.

In 2007 Kristijan Danilovski was nominated for an EMMY award for vfx, and a year later he became a member of the Academy for TV Arts and Sciences. In 2008 he supervised fx3x's work on the Academy Award winning "The Golden Compass" and in 2009 he lead the fx3x team's work on Terminator: Salvation.
 He also worked as fx3x's exec producer for vfx on "The Last Airbender", "I am Number Four", "Resident Evil:Afterlife" and "Saw: 3D"
in 2010, and later on "Red Tails", "Sherlock Holmes 2: A Game of Shadows", and the Academy Award nominated "Transformers: Dark of The Moon". In 2012 he lead the fx3x team working on "The Wrath of the Titans", the Academy Award nominated "Prometheus" and "The Avengers", as well as on the Academy Award winning "The Life of Pi". The work continued in 2013 on "Fast and Furious 6" and the blockbuster "Iron Man 3" as well as several other feature films.
 In addition to this mr. Danilovski was the producer of the fx3x CG team participating in the 2012 Academy Award winning animated feature film Rango. 
His work as animation producer of fx3x includes the TV animated feature "Holly and Hal Moose: Our Uplifting Christmas Adventure" in 2008 and "Sid the Science Kid: The Movie 3D" in 2012, and in 2013 "Hershey's: Great Chocolate Factory Mystery 4D" ride.



Filmography























With the support of the Eurimages Fund of the Council of Europe


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